Mélo ist ein französisches Filmdrama von Alain Resnais aus dem Jahr Als literarische Vorlage diente das gleichnamige Theaterstück () von Henri. Mélo. Donnerstag, Alain Resnais' Meta-Melodram um eine fatale Liebe - bis in der arte Mediathek. Ein Beitrag von. F D. Diskussion. Film Mélo: Violinvirtuose Marcel trifft auf Erster Geiger und verliebt sich in dessen Frau. Liebesdrama von Alain Resnais ironisch umgesetzt. (Frühere Verfilmungen: "Der träumende Mund") - Sehenswert ab Filmdaten. Originaltitel: MELO; Produktionsland: Frankreich; Produktionsjahr: ; Regie. Mélo. Experimentelles Dreiecksmelodram von Alain Resnais ('Hiroshima, mon amour'). Bewertung. Stars. Bewertung. Redaktions Kritik. Bilder. News. Kino-. le film MELO m' a beaucoup plu. Les acteurs Sabine Azéma, Michel Dussolier et Pierre Arditi sont magnifiques. La fin qui est un dialogue entre les deux acteurs.
Melo Film Inhaltsverzeichnis VideoMarshmello - Alone (Official Music Video) It dishes out dollops of Automatensucht from among the Brahms' sonatas, and melodramatics that were dated long ago. No Score Gewinner Super Bowl. Photo Gallery. Dabei implementiert er weniger jene Künste und Fächer in das Kino. The mis-en-scène rules this film - it's a very big plus. s interiors, artworks, multiple mirrors and every shot framed meticulously. It's deliberately stagey, being closely based on a play from the 20s and even gives shots of a proscenium arch and curtains from the point of view of a theatre audience. Ironically it's the varied placing and /5(). Mélo est un film réalisé par Alain Resnais avec Sabine Azéma, Fanny Ardant. Synopsis: Pierre, violoniste, invite un de ses amis virtuose, Marcel, à dîner et lui présente sa jeune femme 3/5(). Erzählt wird, Snooker Weltrangliste angesichts des Titels. Als diese den sensiblen Marcel bei einem gemeinsamen Abendessen kennenlernt, sind beide schnell voneinander fasziniert. Fanny Ardant rage unter den Nebendarstellern heraus.
Photos Add Image. Romaine Belcroix Fanny Ardant Christiane Levesque Pierre Arditi Marcel Blanc Jacques Dacqmine Remy Hubert Gignoux Edit Storyline In Paris in the s, a concert violinist meets and falls in love with a stylish young flapper who's the wife of an old friend.
Edit Did You Know? Crazy Credits The introductory credits are presented as a book containing textual information as well as pictures.
The pages are turned by a female hand and turning the last introductory page opens the story film. Was this review helpful to you?
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How did you buy your ticket? View All Photos 5. Movie Info. They remain friends as adults, even if their lives have turned out very differently: Marcel is now a noted solo violinist while Pierre is an undistinguished player in a symphony.
This becomes evident when Marcel takes an unhealthy interest in Pierre's wife. Alain Resnais. May 3, Pierre Arditi Pierre Belcroix. Fanny Ardant Christiane Levesque.
Jacques Dacqmine Dr. Catherine Arditi Yvonne. Alain Resnais Director. April 24, Full Review…. Top Critic. April 4, Full Review….
March 6, Full Review…. View All Critic Reviews 5. Oct 16, After seeing his film "Melo" last night, I stand corrected. Its very staginess cannot be disguised by any amount of camera movement.
Romaine Sabine Azema and Pierre Pierre Arditi are a happily married couple whose bliss is only marred by their childlessness.
They are joined one evening for dinner by an old friend, Marcel Andre Dussollier. By the time he departs, he extends an open invitation to the couple to come by and visit him to hear him play the violin.
A curtain falls between acts, and scenes are played in extended, fluid, unbroken takes that evoke the theatrical experience.
Unfortunately, the film's opening scene sets such a high standard that nothing that follows can come up to it. Scott Foundas of Variety wrote that Resnais' films involve "seeing just how far he can ostensibly push an audience away by exposing his artistic scaffolding From Wikipedia, the free encyclopedia.
Release date. Running time. She's necessarily abandoned for the third act as marked by the curtains , but I'm not sure whether Resnais or the play treats her as somewhat of a plot point more than a character.
What's fascinating to me at least is Resnais's defining trademark as a filmmaker has always been his editing patterns between dissociative spaces whether the open 25 minutes of Hiroshima Mon Amour or the….
Review by Jean Robin. Die wirklich brillianten Darbietungen aller Schauspieler gehen leider in der schnöden Dreiecksbeziehung unter.
Die Handlung langweilte mich zu Tode. Allerdings bin ich auch kein Theatergänger. A surprisingly dull and uninteresting outing by Resnais. The film has little more than its dialogue, and it's not particularly captivating.
Alain Resnais films ranked. A contender for the best film ever made. Cinema is an art form. What is special about Alain Resnais is that he understands this more than most others.
By that I don't mean that his films are necessarily more artistically valuable than the rest. What I mean is that he understands it as one of many forms of artistic or even general expression.
That's why he likes to experiment with crossing cinema with other forms. With photography, with painting, music or even sculpturing. But also, and here we are moving away from the purely artistic, with history, psychology or natural science.
In doing so, he not really implements those arts and subjects into the cinema. Conversely, he refines them with cinema. In this case the theatre.
Kino ist eine Kunstform.
Events Melo Film ist los Melo Film NRW. - Neu im kinoEin Sommer in Portugal.